from:The Secrets of Thoth and The Keys of Enoch "The lost Enochian knowledge reveals the mother tongue as a "language of Light". Known to the ancients as HIBURU, it is the primal seed language, introduced at the beginning of this time cycle. Modern research confirms, the most ancient form Hebrew to be a natural language, the alphabetic forms emerging from the phosphene flare patterns of the brain. The same shapes, in fact, born of a spinning vortex. It is a true language of light, coursing through our very nervous system.....Encoding the natural waveform geometries of the physical world, Hiburu is a harmonic language, mimicking the waveform properties of light. The "keys" Enoch speaks of, turn out to be sound keys, keys to be vibratory matrix of reality itself, the mythic "Power of the World". The Enochian knowledge describes sonic equations, encoded within the ancient mantras and god names, capable of directly affect the nervous system and producing profound effect of healing and higher consciousness states....As the ancient texts declare, "If you would speak with the gods you must first learn the language of the gods."
from Dan Winter, 3/30/2000 url: ../goldenarches , other articles at: ../sitemap.html
(if the above pic does not ANIMATE, try reload), Solar Fire shown from NASA Soho Pic feb 27, 2000 at http://pao.gsfc.nasa.gov/gsfc/spacesci/sunearth/sunearth.htm#pulse SUN'S HEARTBEAT MAY HELP UNRAVEL MYSTERY OF SOLAR CYCLE:
Buryl Payne spent some years of data taking to show dramatic changes to the solar flares at moments when millions of children ('s hearts) around the planet sang in unison during global media events. The Harmonic Module,A PLAN FOR A GLOBAL MEDIA BIOFEEDBACK VISUAL EVENT.) Sadly the knowledge of how to use the leverage of our collective genome to steer the sun is mostly lost. How needful is that now....
From "Soulariaum": "Like the image of Pi / he' carved into the BASE of the space between two of the arched doorways in the heart chamber, it is that which is irrational and a mystery that is the foundation that opens the door.....and bridges the gap....
I could never have arrived at the alphabet in the heart
chamber so elegantly as my vision de-scribed it to me....without
making room for the creative, dreamy voice....the poetry of it
all....i like what joseph campbell said about the organs/glands
speaking, and that became our dreams...only they are singing...."
she rises like magma, a silent enigma
her eyes open, gamma rays
her old, old bones sing songs
she rises from her knees to her full height
Where she stands,
and only you can be the jury
listen to the call
(inset 4/25/2000: Compare to the Enochian / Ophanic Alphabet - Adawi Cherokee - superset atCherokee (BirdTribe) vs Ophanim/Enochian and the Star Alphabet, new images )
Part 1: Heart Sonics as A "Heart Alphabet" of Harmonic Shadows..
e pluribus unum..., uniting the states?
(This was originally composed for a conference on the WELL -Whole Earth Electronic Link.
In the subject area on consciousness, a question was posed about how our individual
perceptual realities could ultimately have anything physically linking them, or in a sense..
Concensus process may be illustrated by a story from holographic process. We take a "real"
mirror and a magnifying glass, and use them as objects from which to make a hologram.
(Record their splash from coherent light onto film, just as if you were making a hologram of a
statue.) Then setting aside the "real" objects, you use coherent light to recreate the mirror and
magnifying glass objects as an optical hologram.
Then looking into the optical hologram, we notice some peculiar things about how we can
use the mirror and magnifying glass within the hologram. Sure enough, the mirror in the
hologram works as a mirror, reflecting ONLY other objects INSIDE the hologram. Similarly
the magnifying glass in the hologram will magnify other objects IN the hologram. But looking
through the same functional magnifying glass inside the hologram, at an object OUTSIDE the
hologram, we see nothing.
We should not however conclude that we have discovered the reality limitation, to the liquid
crystal hologram of the optical cortex...UNTIL we investigate an important exception to our
discovery IF we illuminate objects outside our original hologram, with systematic phase
coherent light, exactly locked to the phase of the light we used to make the hologram in the
first place, THEN suddenly, voila, the mirror and the magnifying glass INSIDE the hologram
now function as tools to process images from OUTSIDE the hologram. Now we may think at first that our language symbol systems do not have the phase discipline to link our collective
But we should look closely at a pure geometric origin for our perhaps most sacred language.
The fourier transform principle of math and physics demonstrates that all shapes are
assembled of ONE shape, the sine wave (in 2 D). Revolving the sine wave into 3D we get a form of the torus donut. Since the symmetry rules of group theory cannot be using different sine waves (there appears to be only one), tilting those donuts into the atomic table clearly resolves to an issue of PHASE angle.
Recording the tilt of the donut into a language symbol set powerful enough to make the
symbols an OPerational amplifier, requires a way of recording the tilt of the donut from 3D
onto 2D. (a map between dimensions). Tilting whole donuts in 3D leaves shadows or
reflections onto 2D which are ambiguous about which tilt or phase produced which shadow.
Interestingly a 1/10 circle golden mean spiral strip SAMPLED off the donut surface
produces a flame letter strip, which presents a unique view from ANY perspective. While the
sample is complete enough to recreate the form of the whole donut (by revolution), it represents
or samples or SYMBOLIZES tilt angle with total uniqueness (asymmetry).
Now tilting this flame letter strip sampled off the archetypal donut to the archetypal phase
angles of the FACE angles of the platonic solids, we get a complete useful map. (of the phase
angles, labyrinth, necessary to slip knot matter into light).
Conveniently, those shadows also turn out to be the Hebrew alphabet.
"THE APPLE ALPHABET: CONSUMED PERSPECTIVES...
OR ADAM AND EVE'S BYTE"
When Fabre D'Olivet retranslated Genesis by studying the shapes of the letter forms
themselves ("Hebraic Tongue Restored"), he transliterated "Eve" to be "Ieve": word or
symbol. He translated Adam (as in Adamic race: the red race) to mean red-making or
"hard-making" power.(Moving to the "dense" end of the spectrum). Remythologizing
the story of Adam and Eve then, we have the symbol or word (curved & shapely)
tempting man (the line or rod) to consume the apple; to learn hard-making power: the
making of matter.
Learning the hard way is not always bad, nor is its' illusion of separateness
(momentum segregated by symmetry.. quantized). In this way of providing the
necessary rigor for order to be pressured/interference formed, from disorder, evil
The Fourier transform tells us all shapes are woven of sine waves. Hydrodynamics
says if you have only one substance, the primal stable shape is a torus/donut (smoke
ring) flowform. (a sine wave spun into 3D). Quantum mechanics and vortex theories
agree that cooking up matter is a question of the symmetries or phase angles of
primal toroid domain "bubbles". Thus finding a way to alphabetize the tilt or phase of
these donuts is essential to "string-up" the weave of matter out of light. Food for
thought. Existing literature had tentatively derived the Hebrew alphabet from
shadows of one log spiral strip sample off the donut. In my work with the powerful
phicycle significance of the golden mean (.618.., 1.0..,1.618..,2.618..,..) I decided to
render the spiral sample using a torus of 1.618 height vs diameter, producing a nice
apple, see picture. And I decided to use the particular log spiral which is the spiral of
the golden mean. (cf spiraling squares, & pyramid sarcophagus). Further, I chose to
use the spacing of 36 degrees between two of these spirals to map this "Flame letter",
because this generates the nested pentagrams in 2D, and nested dodecahedron in 3D.
I have mapped this shape extensively to DNA, the Planet Grid, the 12 faced zodiac,
and "new Jerusalem"/city of revelation(text:"Planet in our Heartworks"). 10 spirals of the
golden mean thus create at once, the top view of a dodecahedron and DNA, and the
shape table of phase angle origin of alpha/bet.
Since the "Flame letter" strip traced off the donut by this spiral apparently has no
symmetry, its shadow is an accurate record of it's angle or phase or tilt. Since the
shadows literally make the alphabet, peeling the apple turns out to be a way to
consume the perspectives of ONENESS. The implications are wonderful for
education, computer language.. and peace..? Imagine Hebrew and Arab children
seeing their language letters all from the slowly spinning form of one Flame Letter
strip, animated on an Apple. (Both the fruity and computer sense of the term Apple
A Frequency Picture Alphabet..
... Speaking of the Shape of Sound.
In observing these spectral pictures of our alphabet...
..please re-member our usual operating hypothesis. Consider the universe as a nest of sine wave
donuts. That is, the "Fourier Transform" notion of physics which tells us ALL shapes may be seen as the addition of simple sine waves.
So breaking down the syntax of the alphabet of creation as it were, resolves again to this "how shall we make these donuts hang together in their nest". We have seen in 3D the issue of their nesting may be summed up as what symmetry the Platonic Solids allow. Specifically, tilting
our donut strip produced shadows which are Hebrew, when the amount of tilt was correct to
make the Tetrahedron faces. The tetrahedron's same symmetry or mirror axes produce all the
Platonic solids. We have suggested this is the exact cooking up process which nests the
electron donut domains into the Platonic nests (1,3,5,7 = 2,6,10,14) subshells called "Atomic
Table". Thus this symmetry nesting of the donut turns out to be the right alphabet for matter's
When the rules of what sine waves will hang together to make one bubble-surface-membrane
are considered, the origin of the immune system in phase coherence emerges. This is to say
that the simple octave of possible ratios which make emotions coherent in the Sentics
literature, weaves the membrane by nesting. Nesting is only possible when phase coherence,
simple orderliness of ratio carried between frequency, occurs.
We are ready now to look in another rather narrow little band of frequencies: that of speech.
It is true that the high voice and the deep voice may send their message in very different
octaves. However, as we shall see, the true information we call speech rides pretty much in 5
narrow octaves, regardless of the scale where the octaves are carried. This has to do with, we
might imagine, the number of wave lengths of the vocal chords carries along the length of the
tongue where its' envelope is massaged, before rolling off the tip of the tongue.
The simple number of coherent possible RATIOS which nest within this bandwidth, become
the vowel tones. If you had a tongue to put an envelope (lining up the tips of the little waves into
a bigger wave..a nest), on a carrier, what ratios could you produce? (Between carrier wave
length and envelope wave length). It does resolve to the length of the tongue massager whose
shape introduces envelope onto the singing vocal chords. Say "A,E,I,O,U", is there any other
fundamental shape left unsaid in your mouth?
Since the articulation of matter out of light resolves to this same work of getting the (phase)
ratios right among the donuts, it seems correct to SAY that proper articulation of the
harmonics of speech, may do every process necessary to create. If we get the ratio nest set
right in sound, then we shall have the skill to do it with light a few dozen octaves further up
the scale. Sound is a padded cell for us, in which to practice creation.
Getting closer to a 3D visual of the shape of the coherent pressure wave which leaves our
mouths, may be very empowering to our creative process. It may serve us well to imagine this
nest of artfully woven pressure bubbles wafting from the lips, dancing about our spaces,
weaving our dreams into shape.
And so the sonic pictures.. the frequency signatures.. the Fourier transforms... the
spectrograms... (amazing how many names we can have for SHAPE):...
first..Understanding vowel sounds from the shape of the mouth and tongue..
"A SOUND (AS SHAPE) LOGIC TO THE ORIGIN OF THE HEBREW ALPHABET"
We have seen that the shape of alphabet (particularly Hebrew, but by ancestry most
other western alphabets), may be derived from the tilt of the donut. This donut, as a 3D
spun sine wave, brews up matter by nesting symmetrically.
Since the absolute blindingly brilliant logic of the letterforms strikes us in their
written form, it is sensible that we might look for reason, in their spoken form.
By using a phase or tilt angle template 3D holograms are "cooked up" from a film-2D
flatland. This is our symmetry space compared to those El phase turned in the next
This dimension leaping symmetry filming amounts to a literal description of what is
written sacred alphabet.
Our technology commonly uses coherent sonic holograms to switch (or modulate) optical
ones. (Examples include sonic holography in non-destructive materials testing, and
phonon/sonic zone refinement in monolithic crystal semiconductor architecture). This
coupling between sonic coherence and optical coherence suggests a pure physical creative
potential in clear speech.
Did you know that insects are often attracted to you in the forest because the sonic pressure
wave order in your breath can cause the water vapor in the air to laze and maze? Small
creature antennae architecture is a-maze with microwave intelligence. (Phillip Calahan:
"Tuning in to Nature") (A maser is a microwave-coherent laser). Bloodstream for
mindfulness in shorter creatures is shorter waves. Coherence remains the glue.
The coherent shape of the pressure wave woven bubble that leaves the mouth in articulate
speech, can be a template for the tilting of light donuts into matter.
This is particularly true if we understand the sound wave harmonic pieces of each letter as
starting a frequency cascade braid which reaches up the ladder of frequency, to light. Both
spectra are pressure waves not differentiated by substance, just wavelength and "phase"
order. Remember, there never was any data which indicated the existence of more than one
substance in the universe. Shape, and pattern/ wave and length are our only
separateness. Name is how we hold on, or "touch".
Below we shall see the recognition identity of the vowel tones contained in
the whole number ratios of the harmonic pieces. I like to call them "harmonic
tensors" because each wave length inside a sound envelope amounts to a
different length tinker toy.."tensor", we hand to Bucky Fuller to make a
tensegrity geodesic out of. You can't get your geodesic "membranes" right
unless the -wave- length of your tinkertoys is right to connect them all.
Since whole number octave, and golden mean, frequency ratios make the
braided donuts we call sound letters, it makes sense to understand those
same ratios as a wave guide between sound and light. It's like pouring
water into those caddeuceus shaped flow forms they use to
empower water in "Living Water".
This technique is being used for commercial sewage treatment in
Maine. Water so treated nourishes seed germination and floats logs
measureable better. ("Living Water" : Victor Schauberger).
We make pieces of the serpent that winds between frequencies,
between worlds, between octaves, between dimensions, when we
speak clearly the old words.
There are two primary antecedent references to be invoked as we
proceed into sacred alphabet roots. The first is "The Hebraic
Tongue Restored" ..and the True Meaning of the Hebrew
Words Re-established and Proved by the Radical Analysis.. by
Fabre d'Olivet, Pub: Samuel Weiser, Inc., NY. This book
started my quest into the shape origin of things, years ago.
References to this work we shall label just "d'Olivet"
The second key reference we shall use to compare our shape derivations here is: "The
Spectrograms of the Hebrew Alphabet" by Carlo Suares author of "Cipher of Genesis" et al, it
was first published in French in 1973 (Editions du Mont-Blanc, Geneva.. also available at
University of Toronto). This study on the physical origins of Hebrew was reworked into English
with commentary 11/13/74 by Fred Wolf, physicist author of "Taking the Quantum Leap","Star
Wave", "Body Quantum" et al.
This is the edition I am using courtesy of Human Dimensions Institute. References to this
second work we shall label "Suares/Wolf".
Confirming our suspicions that alphabet is real, shapely, and literally meaningful consider
d'Olivet: "...the first inventors of the literal alphabet, unique source of all the literal alphabets
in actual use upon the Earth,.. drew from NATURE ITSELF the FORM of these characters,
relative to the meaning which they wished to attach to them." In his work d'Olivet goes on to
do a complete radical retranslation of Genesis, completely rooted in the study of the meaning of
these SHAPES themselves. He translated the first words: "At-first-in principle.. the premium
mobile, an acting principle".
It is clear in Fred Wolf's look with Suares at Hebrew, the sense of bootstrapping, nestedness,
embeddedness.. fascinated him. He repeatedly refers to the tabulated gematric array for
Hebrew Quabbalah as akin to the periodic table. You can get one
sense of this from noting the way each letter in Hebrew is spelled out itself. So that Aleph is
spelled Aleph-Lammed-Phay, which I translate to meaning Aleph-the continuous octave
harmonic series, turning the L phase shift corner into Phay-Phi-Golden Mean-PhiCycle-Physical.
Quoting Suares and Wolf: "the anatomic chart of Aleph shows that it confers life to
the undifferentiated Phay and thus initiates the process Eloh.., mystically and traditionally
Similarly, it is said that by spelling out the spelling out of each word of each sentence of
Hebrew, it is (Homeopathically?) unpacked into seven distinct "self-embedded" bootstrapped?
levels of meaning.
Lastly, as you look at the spectral pictures of the letters, try to get a sense of a sequence of
cookie cutter like phonemes waxing from the mouth. Note that every time the "aaah" sound
passes somewhere in a phoneme letter, that part of the letter picture is filled the same way. So
that in the end you will be able to paint sound pictures with your speech. It is as if someone
first looked at the Hebrew letterforms, defined by donut creation mechanics, and said we can
make a pressure impression by the shape of which frequency layers of sound are excited in
sequence by speech. It is helpful to understand that the energy envelope quality of a speech
bubble, sends a momentum vector between frequencies ACCORDING TO THE RATIO ONLY
OF THE HARMONICS contained in the sound. Can you imagine a being whose senses include
a visual kind of impression of the harmonics of speech?
Kind of like perfect pitch, synesthesia... seeing the aura of sound.
Compare your impression of shape with the letterform, and it's meaning:
Aleph: The continuous octave (power 2) harmonic series of the "aah"
tone, turns around an L phase transition, to feed the Phi cycle
ratio spiral which translates vorticity from line to circle,
energy to matter. The concluding Ph suggests not the landing in
either rotation called matter, or linear flow called energy, but
rather the "Always Left" translation between them which
connection ennervates li(ph) ..life.
d'Olivet: "Aleph: Man himself as collective Unity.. sign of power
and stability...expresses unity and the principle by which it is
Suares/Wolf: "Aleph: ..supreme energy, subtle, alive, ..it is
relative... can be seen to move at infinite speed and thus evade
time.." (as a fourier series based on Phi could/ or must).
d'Olivet: "The mouth of man as organ of speech; his interior; his
habitation, every central object..............Virile and Paternal
sign: image of active and interior action."
Suares/Wolf: "is any container, any physical container, any
gestalt. It is the first or primary divisor or separator for to
contain or hold is to separate that which is held from that which
isnot. It is the primary act of consciousness recognizing
itself. If Aleph is spiritual, Bayt is material."
The sense of container making envelope, as Bayt is a container,
suggests the metaphor of the creation of membrane as origin of immune
self/not self identity.